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| Hearsay: |
Susan Orlean tries to lay out her publishing house/assigned editor geneology without naming names. Positively tangled.
My first book was acquired by two people I will call Editor A and Editor B, who ran a small imprint at a big publishing house. We had a great lunch to celebrate. A few months later, Editor A left book publishing to become a newspaper writer. Editor B became my primary editor. She and I had a nice lunch to talk about my book.
A few months after that, Editor B was promoted to publisher of the larger house—let us call it Publisher W—that owned the small imprint. Because Editor B—that is, Editor/Publisher B—now had too many duties to edit my book, I was assigned to Editor C.
Editor C and I had lunch. A few months later, he got a new job at another publishing house. I was assigned to Editor D.
Editor D and I had lunch. It was a pleasant-enough lunch, but Editor D had no actual interest in my book or me; he was just taking it on because Editor/Publisher B, now his boss, had asked him to.
A few months later, Editor/Publisher B was fired.
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June 23rd, 2010 at 9:45 am
Man, that is exactly my experience. The churn of (mostly younger, female) editors and publishers dealing with my books over the years is quite something. Also familiar is the disappearance of the people who wanted you in the first place, leaving the book something of an orphan. That is where agents earn their money…