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March 20, 2009

Should posthumous publication against an author’s wishes be allowed?

We’ve discussed this before here, especially around Nabokov, but Allison Flood briefly considers the issue around the publication of Roland Barthes’s “Bereavement Diary”, which is apparently so personal it would have horrified Barthes to have it made public.

Reading extracts, it’s obvious the diary is a highly personal piece of writing (and also very moving). “Sad afternoon. Quick shopping. At the pastry shop (pointlessness) I buy an almond cake. Serving a customer, the little female employee says, “Voilà.” That’s the word which I would say when I brought Mom something when I looked after her. Once, near the end, she half-unconsciously echoed, “Voilà” (I’m here, an expression which we used mutually during a whole lifetime). This employee’s remark brought tears to my eyes. I wept for a long time (after returning to the silent apartment).”

The book’s editor says it was published with the permission of Barthes’s half-brother, and that Barthes had given the book a name. “There is a title, an act of naming … it’s a real literary project,” he told Libération.

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6 comments on “Should posthumous publication against an author’s wishes be allowed?”

  1. Mark says:

    Posthumous publication against an author’s wishes should not be allowed. Doing so is not only disrespectful of an individual’s privacy, but a selfish act on the part of the living. Never mind mind what readers might have “missed”, from an accomplished writer. We were never meant to see it in the first place.

  2. Matt S. says:

    Good point, Mark. Now go burn all of your Kafka (You can keep The Metamorphosis, though). Nuh-uh, no complaining! Burn it.

  3. Heather says:

    If we are to say that posthumous works are wrong, or at least unethical, wouldn’t that also mean that archaeology is essentially bad? I think digging up a grave – even if it is a pyramid – would somehow be worse than publishing material posthumously…on the violation scale, that is.

  4. Roland says:

    Heather: I’m sure there are actually people who would take that position on archaeology, out of a similar desire to preserve popular myths.

    I’ll try some Voltaire: “To the living one owes respect. To the dead one owes only the truth.”

  5. Pat S says:

    I’d like to read Bereavement Diary, and the China notebook as well. If it were an unfinished philosophical essay — maybe, maybe not.

    I can see that a posthumous work of fiction or philosophy might be untrue to an author — not what it was meant to be or would have been, but for death — but notebooks, or a journal?

    These are not aiming (above all) for objective or aesthetic truth. These are most true the less they are tampered with.

    If it is true that Barthes would have been embarrassed by publication — death (one hopes) relieved him of embarrassment, self-censorship. If one has held back during life — this is a service death renders a thinker, a writer. A huge service — I don’t think it can be underestimated.

    Barthes himself made understanding Barthes a public concern — and he dealt in understanding. Works more rather than less controlled by his ego are one means, but much better if they aren’t the only way.

    Do we mean that we will be embarrassed for him? What a thought! That would be a real presumption. If there is anything to Barthes at all, his unedited, uncensored writing will put to shame a reader’s vanity.

    If an observation is true to his self, it doesn’t matter if it’s large or small, dignified or undignified — it’s a shallow pettiness on our part to dismiss it as “silly.”

    Whether it interests you or not is another question.

  6. Pat S says:

    Of course, I mean “overestimated.” But I hope no one is so shallow, petty, dismissive as to point this out.

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