What happens when you leave everything scary out of fairy tales? You get the generation of kids we have coming up who think life owes them something, that’s what. Whippersnappers!
Yet something important is lost when a child’s introduction to fairy tales comes in such whitewashed form. It’s not just Rapunzel: In toys, movies, and books, the old fairy tales are being systematically stripped of their darker complexities. Rapunzel has become a lobotomized girl in a pleasant tower playroom; Cinderella is another pretty lady in a ball gown, like some model on “Project Runway.”
“Fairy tale” may be our shorthand for castles and happy endings, but these classic stories have villains, too – nefarious witches, bloodthirsty wolves, stepmothers up to no good. And scholars have come to see the stories’ dark elements as the source of their power, not to mention their persistence over the centuries. Rich in allegory, endlessly adaptable, fairy tales emerged as a framework for talking about social issues. When we remove the difficult parts – and effectively do away with the stories themselves – we’re losing a surprisingly useful common language.