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	<title>Comments on: Publishing Enemy No 1</title>
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	<link>http://www.bookninja.com/?p=6495</link>
	<description>The deadliest book site on the web.</description>
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		<title>By: Robert J. Wiersema</title>
		<link>http://www.bookninja.com/?p=6495&#038;cpage=1#comment-404093</link>
		<dc:creator>Robert J. Wiersema</dc:creator>
		<pubDate>Tue, 17 Nov 2009 02:14:49 +0000</pubDate>
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		<description>I can&#039;t quite get past how poorly the article is written, and just how rife with errors it is.</description>
		<content:encoded><![CDATA[<p>I can&#8217;t quite get past how poorly the article is written, and just how rife with errors it is.</p>
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		<title>By: Simon</title>
		<link>http://www.bookninja.com/?p=6495&#038;cpage=1#comment-404092</link>
		<dc:creator>Simon</dc:creator>
		<pubDate>Tue, 17 Nov 2009 01:52:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.bookninja.com/?p=6495#comment-404092</guid>
		<description>&quot;We’re seeing it with music already, the monthly fee for access to a huge library – access that stops if you miss a payment. Unless we really believe that all this access will be “free.”&quot;

The market is going this way because people want it.  Streaming music instead of owning it is slowly but surely winning out (think YouTube, not Pirate Bay).  The analogy is not renting it, but subscribing to a service like cable TV.  (Though a minority will always want to own).

A subscription model for books is essentially the library system.  Either you pay yourself to belong to a private lending library, or the community makes book downloads available through the public library.

Obviously there are issues to be worked out about the privacy of your computer and so forth, but these really are minor hiccups in ironing out what it is people actually want (hysterical copy-fighter rantings notwithstanding).</description>
		<content:encoded><![CDATA[<p>&#8220;We’re seeing it with music already, the monthly fee for access to a huge library – access that stops if you miss a payment. Unless we really believe that all this access will be “free.”&#8221;</p>
<p>The market is going this way because people want it.  Streaming music instead of owning it is slowly but surely winning out (think YouTube, not Pirate Bay).  The analogy is not renting it, but subscribing to a service like cable TV.  (Though a minority will always want to own).</p>
<p>A subscription model for books is essentially the library system.  Either you pay yourself to belong to a private lending library, or the community makes book downloads available through the public library.</p>
<p>Obviously there are issues to be worked out about the privacy of your computer and so forth, but these really are minor hiccups in ironing out what it is people actually want (hysterical copy-fighter rantings notwithstanding).</p>
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		<title>By: John McFetridge</title>
		<link>http://www.bookninja.com/?p=6495&#038;cpage=1#comment-404086</link>
		<dc:creator>John McFetridge</dc:creator>
		<pubDate>Mon, 16 Nov 2009 23:57:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.bookninja.com/?p=6495#comment-404086</guid>
		<description>It really seems that copyright isn&#039;t the issue. What this should be a warning sign for is the shift from buying content to the renting of access. In this case Amazon didn&#039;t actually have the right to sell the e-book they were selling (in which case it&#039;s closer to buying stolen goods -- you do have to give them back when it&#039;s discovered they were stolen and you don&#039;t get compensated) but what we should be concerned with is that the connection to what&#039;s on your reader is two-way -- and always will be.

We&#039;re seeing it with music already, the monthly fee for access to a huge library - access that stops if you miss a payment. Unless we really believe that all this access will be &quot;free.&quot;

Mostly what Doctorow is talking about is the internet acting as the library - that is where almost all of us discovered our favourite books and it didn&#039;t cost us anything. And it is what turned us into book buyers.

The problem is that the library isn&#039;t broken, it doesn&#039;t need to be fixed and we shouldn&#039;t be looking for more ways to keep kids from getting off their asses and leaving the house.</description>
		<content:encoded><![CDATA[<p>It really seems that copyright isn&#8217;t the issue. What this should be a warning sign for is the shift from buying content to the renting of access. In this case Amazon didn&#8217;t actually have the right to sell the e-book they were selling (in which case it&#8217;s closer to buying stolen goods &#8212; you do have to give them back when it&#8217;s discovered they were stolen and you don&#8217;t get compensated) but what we should be concerned with is that the connection to what&#8217;s on your reader is two-way &#8212; and always will be.</p>
<p>We&#8217;re seeing it with music already, the monthly fee for access to a huge library &#8211; access that stops if you miss a payment. Unless we really believe that all this access will be &#8220;free.&#8221;</p>
<p>Mostly what Doctorow is talking about is the internet acting as the library &#8211; that is where almost all of us discovered our favourite books and it didn&#8217;t cost us anything. And it is what turned us into book buyers.</p>
<p>The problem is that the library isn&#8217;t broken, it doesn&#8217;t need to be fixed and we shouldn&#8217;t be looking for more ways to keep kids from getting off their asses and leaving the house.</p>
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		<title>By: strunk&#38;white</title>
		<link>http://www.bookninja.com/?p=6495&#038;cpage=1#comment-404061</link>
		<dc:creator>strunk&#38;white</dc:creator>
		<pubDate>Mon, 16 Nov 2009 17:12:17 +0000</pubDate>
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		<description>This article, like most interviews with Doctorow, is saying that a reasonably proficient and very prolific genre writer with an established fan base and access to several gigantic PR and marketing avenues is going to make a very nice living in the business pretty much no matter the distribution method. Ask Dan Brown or Stephen King if they spend much time worrying that people are going to discover and or somehow manage to buy their books.

No-one should be mad at Doctorow for his own success as a writer. But yes, his copyright analogies are ridiculous (not to mention hypocritical), and make most of his arguments in that arena very difficult for me to take seriously. He is the boy who yelled &quot;Fascist.&quot;</description>
		<content:encoded><![CDATA[<p>This article, like most interviews with Doctorow, is saying that a reasonably proficient and very prolific genre writer with an established fan base and access to several gigantic PR and marketing avenues is going to make a very nice living in the business pretty much no matter the distribution method. Ask Dan Brown or Stephen King if they spend much time worrying that people are going to discover and or somehow manage to buy their books.</p>
<p>No-one should be mad at Doctorow for his own success as a writer. But yes, his copyright analogies are ridiculous (not to mention hypocritical), and make most of his arguments in that arena very difficult for me to take seriously. He is the boy who yelled &#8220;Fascist.&#8221;</p>
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		<title>By: Andrew S</title>
		<link>http://www.bookninja.com/?p=6495&#038;cpage=1#comment-404056</link>
		<dc:creator>Andrew S</dc:creator>
		<pubDate>Mon, 16 Nov 2009 16:18:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.bookninja.com/?p=6495#comment-404056</guid>
		<description>Not to be a pedant, but as a former tank crewman, it&#039;s called an &lt;i&gt;anti-tank mine&lt;/i&gt;, Cory. That&#039;s because it&#039;s for blowing up tanks. Do you take &lt;i&gt;histamines&lt;/i&gt; for your frigging allergies?</description>
		<content:encoded><![CDATA[<p>Not to be a pedant, but as a former tank crewman, it&#8217;s called an <i>anti-tank mine</i>, Cory. That&#8217;s because it&#8217;s for blowing up tanks. Do you take <i>histamines</i> for your frigging allergies?</p>
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